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Arch, and Ph. He has held permanent, tenured, and visiting positions in Egypt, Italy, and Saudi Arabia. With varied experience in academic research, teaching, design and research based consultancy, Professor Salama bridges theory and design and pedagogy and practice in his professional activities. Professor Salama is the chief editor of the International Journal of Architectural Research featured on Archnet , associate editor of Open House International-OHI, and serves on the editorial boards of numerous internationally refereed journals and on the scientific and review boards of several international organizations.

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In an interview with Dr. Divided in three sections that accommodate twelve contributions, the book encompasses arguments, frameworks, experiments and experiences written by a group of eminent scholars, academics, as well as doctoral researchers, from various fields that include architecture, urban design, global culture, music, art and design, and management and social sciences.

The book is trans-disciplinary in nature and breaks the boundaries between the overarching disciplines of these fields.


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What this book offers is an invaluable resource for educators, academics, practitioners in the relevant disciplines, and higher education institutions needing to reconsider their assessment methods of doctoral research to meet emerging demands within the creative and cultural industries. Nilsson, F. The developer of the unit residential building—at It also took "a few years to figure out the best design" for the ft-deep, ft-wide lot, which is not an ideal dimension for an apartment building, says Jeffrey M.

Brown, the building's co-developer, with Kim Frank, and general contractor, under the firm that bears his name. The solution was a U-in-plan shape that provides a ft-sq courtyard, which offers more exposures. Perspecta 47 August Interview: Thomas Gluck. TG Our attitude starts with a global perspective on where the profession has been, where it is right now, and where it's going. What's happened over time is that through trying to limit professional liability and reduce risk, the profession has also limited its own role and capacity to engage effectively.

Sometimes we talk about architect-led design-build as a strategy to regain control over the building process, but "control" can conjure up a desire for complete power. The control we're interested in is instead the ability to follow the clients' interests and the conceptual underpinnings of a project through to completion. As the architect retreats back to an increasingly narrow realm of influence, he or she limits the ability to craft a building that truly serves the client and the urban, social, and economic contexts.

The Nation August , Little Boxes. New York City's first true modular apartment building--the Stack, erected in a mere nineteen days--opened recently in Manhattan's northernmost neighborhood of Inwood. It's a nice-looking building designed by Peter Gluck , but the apartments are a more conventional mix of unit types, none of them micro.

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This is a promising development that should help diminish resistance to modular construction by those who know it only through its shabbiest and most unattractive examples. Isn't this a better idea than stuffing people into spaces that can only be inhabited by childless Zen masters and anal-retentives? Shouldn't the city be a place where the investigation is of how to produce choice and not compulsion?


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Architectural Digest August High Fidelity. Every architect commissioned to design a mountain home that's sympathetic to its setting faces the same challenge: how to come to terms with the peak itself--the rock, the elevation, the climate, the slope, the vista. Despite the inevitable urge to triumph over topography by building at the summit, embracing a more modest accommodation can sometimes be a better path to achieving domestic bliss in the clouds.

Situated well below the highest point on the property, at the edge of a sunken meadow ringed by trees and close to a precipice with a hundred-mile view to the bright lights of Charlotte, the residence strikes an elegant balance between exposure and protection, between high-altitude splendor and grounded repose.

All of which was accomplished while adhering to environmental standards rigorous enough to earn the project a LEED Silver certification. The integration of building and landscape enhances the experience of the site…what was inhospitable and uninhabitable becomes new playing fields, outdoor dining terraces and recreational lookouts to more fully experience the exceptional characteristics of the geography of that particular place. Design-build differs from conventional project delivery in that a single firm is responsible for both design and construction.

Proponents of the method argue that by repairing the breach between architecture and building design-build benefits both clients and architects, and produces better designs. Fact or fiction, it is a common perception that the design and construction process is plagued with problems: cost and schedule overruns, under-detailed design drawings, shoddy workmanship, disputes, and litigation. Some architects have been pursuing a remedy for this fraught situation--the project delivery method known as design-build.

Until recently, most practitioners were reluctant to be too involved in construction. But that may be changing, with new approaches that make design-build a more viable alternative--one that gives the architect more control over the building process and the completed project.

According to the professional association the Design-Build Institute of America DBIA , "design-build is a method of project delivery in which one entity--the design-build team--works under a single contract with the project owner to provide design and construction services. Fans of design-build tout its advantages. They say it provides the client with the convenience of a one-stop shop, or a single point of responsibility, for both design and construction. They maintain that it provides tight control of costs and schedules. And they claim it fosters greater collaboration, and therefore results in a less adversarial process, and ultimately produces higher-quality buildings.

We headed miles north of Manhattan to a luxury eco retreat in upstate New York, designed by architect Thomas Gluck. Called the Tower House, it offers elevated living and uninterrupted mountain views of the Catskills. Not only is it a gorgeous work of art, it's designed to be sustainable and energy efficient. A big chunk of the substantive consumer goods that we buy, from watches to cars to dishwashers, is built in a factory someplace. One notable exception until now, housing. And by design, it looks kind of like a collection of staggered lego blocks.

On the inside, it's like any other modern building in New York. The Tower House sits on a small plateau above the rest of the property and relies on a combination of wood platform construction and steel. Covering the armature is a skin that includes olive-green fritted glass, as part of a rainscreen cladding system, and insulated vision glass.

This slick envelope simultaneously emphasizes the structure as a man-made object and acts as camouflage, reflecting the house's environs and altering its appearance over the course of a day, with the passage of seasons, and in changing atmospheric conditions. Bold designs, innovative business models, and risky projects define the best in architecture this year.

With Architect Led Design Build, Peter Gluck and his team ensure quality and efficiency from idea to execution by seeing a building through the entire process of design and construction. But just a block north, another development is under way that is unlike any other in Manhattan. The Stack, the city's first multistory modular apartment building, is anticipated to come on the rental market this month.

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The seven-story building was prefabricated in a Pennsylvania factory, shipped to Inwood in 56 modules, and was assembled on-site in the byfoot lot at Broadway. Much is going on in New York. The city is being transformed at a rapid pace. Large projects are being produced on available sites that require massive amounts of capital, over existing railroad yards, or huge former industrial sites, eg.

Atlantic Yards or Trump Place. Deteriorating rail lines, waterfront piers of former times are being repurposed or converted to parks and public recreational areas, eg. Unfortunately a major element of change is being driven by "gentrification.

Urban Design Since 1945: A Global Perspective by David Grahame Shane

This phenomenon is effectively changing vast areas of the existing fabric. With little focus or scrutiny from the "design community," it is developer-driven and for the most part done without much thought. In major portions of the city, this will become the city of the future. Architectural thinking is seen as a luxury item not relevant to the real needs of the development process. Architects need to acquire multi-faceted knowledge and accept previously shunned responsibilities to ensure the quality and cost of the built result in order to change this perception, and merit participation.

All players in the process of designing and building have retreated into ever shrinking silos of responsibility. There are many needed pluses. With the addition of these pluses, architects can be the logical quarterbacks of the development game. In architect-led design-build [ALDB], the architect is the full-service leader of the design-build team, taking responsibility for the entire process From the owner's point of view this can better reflect the need for a single source that is responsible for the design, costing, and production of the project, led by the entity that has originated the design and can take responsibility for its execution It is a continual collaboration between the architect and the construction trades and manufacturers, as well as the owner, which can provide agile responsiveness to the nonlinear process of producing a building.

In ALDB, this process can be a continuum from conceptual design to the ultimate commissioning of the building. C3 November Pool Pavilion. Without any outstanding architectonic outline, the architects designed it to look more like a glass pavilion in a garden, half buried, merging into the landscape as part of it. Completed in , the Tower House is a striking and unexpected sculpture sitting in the forest, with a tall, vertical shaft climbing upwards and intersected at the fourth storey by a horizontal, cantilevered box holding the main living spaces, looking outwards to the mountains.

Gluck, who started thinking about the design of the house back in , built a full-scale scaffold tower on the site before starting construction, just to test that the idea would work and that the view would be open enough. It's one of a number of buildings on the property that has been in the family for many years.

Later he added a guesthouse, called the Bridge House, at the base of the forested plateau.

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There's also the Scholar's Library, a sublime study and book repository designed for Thomas's mother, Carol, who is a professor of history at Columbia University. Like the rise of the nouveau riche, the dazzling state-of-the-art buildings touted by New York's newest schools can be viewed askance by some of the centuries-old institutions that rule the city's private-school scene. Their modest--to put it politely--facilities are badges of honor, their reputations rooted in intellect and character, they say, not cutting-edge cafeterias. So when Collegiate School--an all-boys K institution on the Upper West Side that has been in its current location since announced this year it would move to a brand-new building in the same neighborhood, the reaction was, perhaps, predictable: apprehension.

School officials gave the architects simple instructions: Make it nice, but not too nice. It wasn't a function of having a shiny new building. New photography by Yoshio Futagawa. It took only 19 days to rise from foundation to seven stories tall -- and now "The Stack" in the Inwood section of Manhattan is New York City's first prefabricated apartment building. Brown Associates. He and his team of architects realized in order to do that, they'd have to totally reverse the way family-centric homes are traditionally laid out.

A bright yellow staircase leads from the house's base, up through the bedrooms to an observation deck-like communal space that rises above the tree line. Architectural Record August House in the Mountains. The reasons are compelling--the grass roofs reduce energy loads and their low profile doesn't impinge on the natural landscape. In the case of a 2,square-foot guesthouse in the Colorado Rocky Mountains, the clients Icon July Tower House. The neutral colors and materials that camouflage the house are interrupted by the distinct yellow hue of the staircase -- a part of the house Gluck says should be embraced.